Thursday, February 28, 2013

"I feel like I'm being rubbish at both."

A few years ago, I read an interview with musician Tracey Thorn (Everything But the Girl, Massive Attack) where she spoke about giving music away altogether after having her three children.

Thorn and her partner, bandmate Ben Watt, had taken the kids with them on tour — and then decided that they were never doing that again!

"That tour was just weird," Thorn said. "I was putting the kids to bed at the hotel then racing off to soundcheck and I remember thinking, I don't like doing both. I feel like I'm being rubbish at both. So I took a unilateral decision to stop."

Watt agreed: "To be honest, it was never easy. When you throw kids and family into it something has to give. You can't keep all that going at the same time. You'd go mad."

For several years, Thorn was a full-time parent, not even jotting down lyrics in her notebook. But she did keep a journal about her life, which she described as "just a list of events of marginal interest" that would never see the light of day.

Well, I hope some of those thoughts have crept onto the pages of her new memoir, Bedsit Disco Queen: How I Grew Up and Tried to Be a Pop Star, because sometimes those so-called "marginal interest" notes are exactly the kind of things others want and need to hear! And knowing Thorn's lyrics, I suspect they're far from boring.

If you're reading this blog, then the interview with Tracey Thorn on Radio National's Books and Arts Daily yesterday is essential listening.

Sunday, February 3, 2013

Clare Bowditch is making it POZIBLE

I know that Clare Bowditch, singer-songwriter extraordinaire, needs no introduction from me.

If you've read The Divided Heart and watched her career blossom over the years, you will know just what a stellar job she's done of combining family life with the demands of high-pressure work in the music and TV industries. 

And if you've read interviews with Clare or seen her perform live, you'll also know what an unusally warm, honest and big-hearted soul she is. A woman with bucketloads to give!

So lucky for us, this is just what Clare is planning to do next: use her experience of forging a successful creative life to help others do the same. And to get things going, she's set up a Pozible Campaign for her Big-Hearted Business.

She's got loads of goodies for supporters. But I'll let Clare tell you about that: 

Over the years, some of you have come to my shows, drunk a little too much, and trapped me in corners with questions like:

- Can you come over to my house for Devonshire tea and Pimms Cups? (Yes!)
- Can I come over to your studio and record with you and Marty? (Yes!)
- Can you make a surprise video proposing to my partner for me? (Yes!)
- Have you got any rare super-fine merch for sale? (Yes!)
- Can you help me work out how to make my living as an artist? (Yes!)
- My job is freaking boring. Can you come over and make it fun? (Oh YES!)

Today, the answer is a very sincere YES, to all of the above. To cash in, all you gotta do is get your buttski over to our new Big-Hearted Business POZIBLE CAMPAIGN. Please share the link far and wide!

In advance, thanks for supporting this: it means a lot, you'll see why.

If you want a little insight into what Clare's Big-Hearted Business will be all about, watch her inspiring TED talk below:


'Falling in love with your muse' Clare Bowditch at TEDxLittleLonsdaleStWomen, 1 December 2012 from Emily Hehir on Vimeo.

Tuesday, December 4, 2012

Launching Karen's book: what I said on the day

Karen (left) and me (seated)
A few people have asked me to put my speech from the launch of Karen's book up on my blog. On the day I ad-libbed and went off on a few tangents, but here's the core of what I said:

We're here to launch Karen’s book, Crying in the Car: Reflections on Life and Motherhood – which may look slight but packs a way bigger punch than its size suggests (a bit like Karen).

When Karen’s book arrived in the mail, I tore open the package, opened to the first page, read a few lines and then did that thing you do when you know a book’s going to hit a nerve. I immediately closed it and put it down. (I also knew it was going to make me a bit jealous.)

Then I took a deep breath, made myself a cup of tea and opened it up again.

If you haven’t read Karen’s book yet, she opens by talking about running into a friend at a bookstore, who asks her if she was working on any significant projects. To which she responds with those familiar lines that "she’s got a lot going on, blogging takes up most of her creative space"... blah blah blah. That’s when I closed the book. See? Didn’t take long!

I too get that confronting question all the time: “So, what are you working on? Are you writing a new book?” I expect most of the people in this room know how loaded that question is — dare I say it: especially for women; and even more so for mothers, whose domestic workload is so huge and so invisible.

And I suppose that brings me to how I know Karen and why she might have asked me to launch this book.

I first met Karen at the launch of her children’s book, Surprise, which happened to be illustrated by my wonderful friend and workmate Kim Fleming. There, Karen mentioned that she had read my book, The Divided Heart: Art and Motherhood, which initially came out my sense of creative frustration and ambivalence about writing and mothering — the fear that to succeed at one would mean failing at the other.

I wrote that book when my children were babies and then toddlers. Now they are 7 and 10 (scarily enough) and I’ve had a lot of time to reflect on what it means to be a mother and a writer (or any type of creative person), with all the struggles that entails. And there are a couple of things that I always say to mothers who talk to me about how hard they’re finding it to make space for creativity in their lives:

1. You have to give yourself the permission to create. Don’t wait for your partner to give you it (no matter how supportive he or she might be); don’t wait for the world to give it to you (it won't -- the world is full of competing distractions and demands); and for heaven’s sake don’t wait for the kids to give you permission. Because they won’t either. You need no other reason than that you need to do it, because it makes you more alive.
 
2. As a parent you have a lot less time, it’s true — but what you lose in time you make up for in access to the some of the most universal and fundamental aspects of life. In many ways, if you are a creative person, you are in a uniquely privileged position as a mother.

This is where Karen is coming from on in her very impressive book. She has drawn on all those strange and unexpected situations that parenthood throws us into — playground politics, long-term relationships, the intense confrontation with our self that comes with being more vulnerable than you've ever been. All that is here inside these covers. Along with a great deal of humour.

So while we all have had those moments where we feel like we’re making defensive excuses to friends in bookshops, Karen has found a way to move beyond the barriers life throws up and the fears that get in our way to make stuff happen anyway.

Before I wrote The Divided Heart, I have to admit that I was completely ignorant about the world of blogging. I was asked to start a blog by my publisher and suddenly I was plugged in to this incredible online community of mother bloggers, and Karen was there, right smack at the centre of it with her award-winning blog, Miscellaneous Mum.

This wasn’t the world that I had heard rumours about: full of narcissistic ego-maniacs telling us what they ate for breakfast, lunch and dinner. Here was a bunch of women really sharing the truth of what it’s like to be in that crazy and chaotic and occasionally creative world of new motherhood.

Readers of Karen’s blog know how deeply reassuring people find her honesty about the ups and downs of family life, as well as her insights on reading and writing. But I can also say, as someone who tends to read a whole backlog of posts in one sitting, there is also something extremely calming about the lovely reflective mood of Karen's posts, which somehow manage to gather a whole lot of random thoughts into some cohesive, soothing whole.

That same capacity for revelation and for deep empathy is here, in Crying in the Car. And if blogging is the thing that got her “back into writing”, as Karen has said — a way of flexing that muscle in short bursts and finding a voice — well, it has worked. There is one very confident voice on display in the material contained here.

Those who are regular readers of her blog know that Karen’s had a really full-on year this year, health-wise, and yet she’s still managed to write, publish and distribute this book, all under her own steam. It’s an impressive feat. So perhaps now she can tick off that item on her "Living List" that says "Write a book (or twenty)".

Or maybe she’s not going to scratch that one till she has indeed published twenty.

Tuesday, November 27, 2012

Launching Karen Andrew's book, Crying in the Car: Reflections on Life and Motherhood

I am launching Karen Andrew's new book, Crying in the Car:  Reflections on Life and Motherhood, at the Eltham Library this Saturday, December 1, at 3pm.

You may already know Karen's lovely writing through her award-winning blog, Miscellaneous Mum, where she writes about her family and her love of books and writing.

Karen is one of those amazing women who just gets stuff done! I didn't even know she wrote poetry -- and now suddenly here's this wonderful collection of her best essays, blog posts, short stories and poems, all of which explore the inherent contradictions in being alive in this world and at this time.

But more of that on Saturday...

You can read one of her stories at Parenting Express, here.

For more details, you can see the Facebook event for the book launch here. 

And if you can't make it, you can order Karen's book here, or buy it in a good old-fashioned bookshop.

Hope to see some of you there...

Thursday, November 15, 2012

Fragility and wonder: the music of Emma Tonkin

When I was writing The Divided Heart, I was always conscious that one of the most modest and talented artist-mothers in my midst was living right next door.

When I suggested to singer-songwriter Emma Tonkin that I should include her in my book, she scoffed and said something about not having a proper creative practice. And yet in her own discrete way, Emma never lets go of that delicate creative thread, even if sometimes she feels that she's only hanging on by a fingernail.

A tinkling piano and Emma's exquisite voice often reach me in the quiet hours when the children are asleep. Alive to the sensuous world around her, if at first you think she writes songs about the "small", listen closer...

What seems intimate becomes epic. Her music lifts you out of the chaos of living and transports you to somewhere defenseless, fragile and immense with wonder.

As the Age music writer Michael Dwyer says about her latest album, Cave of Lights: "A fire in the dark. Hope in the storm. Emma Tonkin's new album with the First Chorus Band of Singers is the gloriously redemptive sound of the human spirit alive in a house of skin and bone."

Emma's first album, The Anchor and the Albatross, showcased her unique feeling for melody. Add a swelling four-part harmony to those tunes (as the First Chorus Band of Singers do in Cave of Lights) and the result is nothing short of sublime.

So many creative mothers say to me that they don't really deserve to be called artists because they're not actually managing to juggle mothering and art with any great success. Or that they barely ever produce anything, so they don't deserve to be recognised alongside their more prolific counterparts.

But what makes a "real" artist, anyway? Emma's songs are pretty real, I know that much. And if it takes five or ten years to write a single book or release a single album, so be it. The world is still richer for having that work of art in it. And a life is all the richer for having created it, no matter how slowly.

So if you want to witness something really special, Emma Tonkin and the 25-strong First Chorus Band of Singers, led by Virgina Bott, will be performing at the Wonderland Spiegeltent (Docklands) on Saturday night in Melbourne from 8pm.

I will be there, celebrating what can be achieved in the wee hours and stolen moments -- beyond the laundry and the dirty dishes -- when the world doesn't even realise that you're quietly weaving some magic.

Friday, November 9, 2012

There's a party goin' on...

I am on retreat at Varuna The Writers' House this week.

That means I am not meant to be surfing the internet. I am meant to be writing in monastic solitude, churning out the words in a state of wild inspiration with nothing to distract me but my own desperate attempts not to check the word count every ten seconds or eat yet another chocolate biscuit.

Which is why -- in an act of terrible timing on my part -- I have been missing the best possible festival I could have imagined.

But you don't have to miss out. If you are a creative mother of any variety, the Mother-Artist Network Festival is where you should be. Now!

Tuesday, October 30, 2012

The poetry in the folding of laundry: have you discovered Lily Mae Martin?

I know I've been off the boil lately in the blogging department, but I've been conscious for a while that it would be utterly remiss of me not to let Divided Heart readers know about the extraordinary Lily Mae Martin.

If you haven't already discovered this impressive woman on your virtual travels, Lily is an Australian artist who has been living in the UK and Berlin over the past few years. But she has recently returned to Melbourne, as she discusses in her piece in the latest issue of Kill Your Darlings, "Kids in Berlin: Motherhood and Friendship".

I never ceased to be amazed by Lily's talent and creative output. Not only is she is mind-blowingly prolific in her main gig as a visual artist (I have no idea when this woman sleeps!) but she also maintains a blog, Berlin Domestic, full of searingly honest outpourings about the rocky creativity/parenting/partnering path.

As she has said: "Life as a parent is not what I expected. In retrospect I'm not sure what I had in mind, but I guess I thought that sometime after having my baby I would return to life and to work – that things would resume as normal only with the addition of a baby. This however was not the case.

"Then one day I thought – why not draw it? Why not write about it? There's a poetry in the folding of laundry, the sweeping of floors. An art in the food splatters and the cooking of countless meals."

Lily diarisies her days, churning out hundreds of sketches depicting scenes in the cafes and domestic spaces of everyday life. If this didn't keep her busy enough, though, she is also building a substantial body of meticulously rendered paintings, drawings and illustrations, the detail of which just blow me away. Hyper-realist in style but with something far darker and dramatic lurking beneath the surface, her works that simultaneously encompass the the beauty and brutality of existence.

Lily is a rare artistic talent. She is also rare in her openness and eloquence about the impact of parenting not only on her day-to-day life and art, but also on her relationship, her sexuality, her identity and her psyche.

I hope she inspires you as much as she does me.