Showing posts with label Damon Young. Show all posts
Showing posts with label Damon Young. Show all posts

Friday, June 25, 2010

Mentally Sexy Dads on Life Matters


If you didn't catch it this morning, you can now listen online to today's ABC Radio Life Matters talkback program, all about the Most Mentally Sexy Dad comp, of which I am lucky enough to be a judge.

My fellow guests, philosopher Damon Young and writer/competition organiser Clint Greagan are two very impressive blokes, as were the callers.

As producer Amanda Armstrong said: "It reminds me once again that there’s a quiet and positive revolution in gender roles happening out there."

Wednesday, May 19, 2010

Can housework be sexy?

Perhaps it depends who's doing it!

I have a post about the link between sex and housework on the Most Mentally Sexy Dad Comp page today.

I know you all have plenty to say on this issue! Love to read your thoughts...

And while we're on the subject, I urge you all to read this great op ed piece by the ever-inspiring feminist poster-boy Damon Young.

It is also running on page 15 of today's Age newspaper.

His statement "I'm a feminist because I take my wife's selfhood seriously" is music to my ears. More than that, though, he translates that belief into action.

Saturday, February 21, 2009

Vague thoughts on the difference between acting and writing


Having written a hell of a lot of non-fiction in my life, when it comes to fiction I feel like I am still wading blind. I have not yet learned to have faith in what I think gets called "a voice"--my voice--to the degree that I can just get on with telling the story. I feel as though, no matter how long I have been putting pen to paper, I am still learning the most basic lessons.

Lately, I have been struggling with what I was describing to my partner as "restraint"--meaning, how to know where you, as writer, end and the reader begins. How to judge when enough is enough? We all know, as readers, how much more powerful a story is that leaves space for your own knowledge and insights to rush in.

My partner has done a lot of acting and so I often ask him for the actorly equivalent to my writerly problems--it's amazing how often ideas make more sense one step removed from the subject at hand. He said, "Well, it's all about being present, isn't it?" And I am still trying to get my head around what it might mean to be present as a writer.

Of course my partner tells me the solution is to meditate, which is his solution to everything--"letting go" being the key. (And I suspect he's right, though I immediately start thinking "When am I going to find time for that?!".)

I was talking to our resident philosopher Damon Young recently about a fiercely intelligent friend of mine who studied drama but was always struggling to "bypass her intellect", as she was being instructed to do. I told him I find this fascinating about acting--that it requires a different kind of intelligence, more physical or instinctual than intellectual. In writing, too, I am still trying to understand the role of instinct, and how to get ideas to sink beneath the surface--to drive the action rather than tell the reader what to think.

"Fiction involves the intellect, but, yes, it's not calculative, analytic," was Damon's response. "Fiction is informed by what you know, by how you think, but it's a very different kind of process. I think acting is similarly divided from academic work, though the aspect of embodiment--like dance--is more crucial than in fiction."

Then today I read this wonderful quote in the paper from actor Ralph Fiennes--currently starring in The Reader, which I can't wait to see:
"I think [acting's] about openness and being present. Thought and analysis are not good. Instinct is your engine. I once had an argument with someone who said that acting was an intellectual process. I said that it wasn't that at all; it was closer to sport, where you are open to the next moment. I'm not a sportsman, but I have played enough sports to know that you have to be absolutely present and in full possession of your skill. The acting I like is very transparent."

What a great analogy. As for how that translates to writing, I am still giving it some thought. But I can only guess at what it might feel like to be "in full possession of your skill". Exhilarating, I imagine.

Friday, January 16, 2009

Therapy and the writing life


There are so many things I want to say in this post, but I’ll try to run a brief-ish list…

Firstly, there was a repeat of a wonderfully warm and generous conversation with Helen Garner about her latest book, The Spare Room, on Radio National’s Book Show this week.

Apart from the interesting discussion on the themes of her book, there is some of the best advice for writers here that I have ever heard, especially relevant to mothers, who are so tied to their domestic existence.

This advice is partly about the importance of daily practice, the process of handling the language to transform the material world into readable form. She mentions the worth of describing “objects”—respecting the work they can do to say so much about a situation—which I think is central to the power of Garner’s work.

But her advice also relates to something she says about writer Elizabeth Jolley—that ability to take “the tiny tasks of daily life and make something rich out of them. She seemed to have this wonderful way of connecting humble daily tasks with very deep meanings.”

Garner is one of those formidably shrewd writers whose pared-back prose offers readers the greatest possible respect by giving them just enough to make the necessary links. That’s what I find so exhilarating about her books.

Secondly, I’ve been wanting to say something about Leo/philosopher Damon Young’s typically witty comment on my previous post about loathing astrology because he feels it “impinging on my ambiguous, unwritten self-definition; my intimate freedom”. I asked him if he also feels this way about therapy (his answer: depends what kind of therapy).

But the reason I asked him this is because I myself have always had my own aversion to therapy and self-help books and the like (though this doesn’t mean I don’t spend a lot of time driving my friend nuts with my constant self-analysis). In part this is because I feel the best and most effective lessons come from life, as long as you’re available to hear them; and also because, a bit like Damon, I think I have a secret fear that if I “resolve” all my inner workings there will be nothing left to drive my writing.

Of course this is a conceit. And funnily enough, I have never heard anyone else talk about this in relation to creativity (which only means that I’m not that well-read, rather than assuming I’d had some kind of original idea). That is, until last night, when I listened to this hilarious take on the subject of psychoanalysis, in general and in relation to writing, by one of my favourite authors, Hanif Kureishi (My Beautiful Laundrette, Intimacy, The Buddha of Suburbia...).


Podcast it (you guessed it—Radio National), plug yourself in, and you won’t even notice how long you’ve been washing the dishes and cleaning the bathroom you’ll be laughing so hard.

One last thing… sometimes I miss comments that have made on earlier posts. At the end of my post about Lionel Shriver, I discovered a lengthy and very thoughtful comment from Pamela Boll, the producer of Who Does She Think She Is?, written on Christmas morning, with the inspiring perspective of a woman who has been through the art/mothering struggle and emerged full of wisdom. You can check it out yourselves, but here is one of the many lovely things she has to say:

So, there you go—sometimes, in the middle of parenting, you feel that those little ones just want from you...and the wanting is hard. Yet, all along, they are also learning from you. They watch to see what absorbs you, what makes you laugh...what makes you love your life. They learn what matters. And if you are doing the work you are called to do—even little bits between the feeding and the crying and the diapers and all—then they will grow up knowing that to be an adult means to live one's life as though it matters.

What a great reminder… (Thanks also to Cinnamon Gurl and everyone else who responds so generously.)

Friday, September 5, 2008

More publicity

Just a reminder--playwright Joanna Murray-Smith, artist Sarah Tomasetti and I will be chatting with Elly Varrenti on Radio National's Life Matters program at 9am on Tuesday 9 September.

Also, another review--a generous write-up from philosopher Damon Young (check out his latest book Distraction: A Philosopher's Guide to Being Free), who's done a great job of contextualising the book in the September edition of The Big Issue.